New York, 1985. Against the backdrop of AIDS - divine punishment inflicted on gays according to puritan America -, angels, who epilogue on the emptiness of the American dream, cross paths with the ghost of the spy Ethel Rosenberg, separating lovers and destitute patients. Prior, suffering from the AIDS virus, loves Louis who is about to leave him. Roy Cohn, man of power, Jewish and homosexual lawyer, anti-Semite and homophobe, lives in denial of his HIV status. Harper takes refuge in drugs to soften her married life with Joe, whose uncertain sexuality clashes with well-established religious beliefs. Following the cancellation of "Angels in America"performances due to the health crisis of 2020, the project became a TV movie: "Angels - Salle Escande" is shot in the privacy of rehearsals.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
