‘West Side Story’ (2021) Improves on and Is Limited by the Original
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
Angels & Airwaves: Start the Machine (2008)
Featuring an interview with frontman Tom DeLonge discussing the high-profile breakup of his ex-band, blink-182, this documentary takes viewers into the studio as supergroup Angels & Airwaves records their debut album, "We Don't Need to Whisper." The video also includes Angels & Airwaves onstage at their blistering best during stops on their 2006 tour, along with insights into the lives of the band members.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Featuring an interview with frontman Tom DeLonge discussing the high-profile breakup of his ex-band, blink-182, this documentary takes viewers into the studio as supergroup Angels & Airwaves records their debut album, "We Don't Need to Whisper." The video also includes Angels & Airwaves onstage at their blistering best during stops on their 2006 tour, along with insights into the lives of the band members.
Rating:PG-13
Genre:Documentary, Music
Written By:
In Theaters:6/17/2008
Box Office:
Runtime:79 minutes
Studio:Resting Bird Entertainment, Modlife Films
Cast
Articles You May Like
Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
'Child of Kamiari Month' (2021)
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
Racism in A Second Chance: Rivals!
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
Dracula (2025)’s Yearning for His Lover
Dracula evolved from a person to a monster and then from a monster to a person.
'The Hand of God': Authentic Memory or Cliché Love Letter?
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.