Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Some sparkling performances are coming to Camembert Academy on the ice and on the dance floor! Angelina, Alice and all of their Mouseling friends know the importance of practice for the big show. But when Angelina's skates go missing, will she find them in time for her ice skating solo? And will AZ ever learn how to do the "Cheese Roll" like his Granddad taught him? With help from her friends and some creativity, Angelina discovers the magic of working together in this very special treat!
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Two Korean sisters must save their family after a ghost tears the family apart.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.