The beautiful Shizuka Himanoki has been saving herself for a boy she met twelve years ago. They made a promise back then, and she's determined to keep it. But when she finally tracks him down, she catches him in the act with another woman. Where can a nineteen-year- old virgin turn for solace?
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Based on a true story, Al Pacino delivers his career defining performance of conflicted bank robber.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
