Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Set on the Hungarian plains and in romantic Budapest, the film follows Rose Barsony’s spirited dancer-singer and Wolf Albach-Retty’s young noble as they navigate love, song and national pride. When the aristocratic family’s fortunes are threatened by the heir’s prodigality, veteran estate manager Károly Sugár steps in to safeguard the daughter’s inheritance. Against a backdrop of blooded horses, vineyard laborers and patriotic pageantry, the couple’s romance unfolds through musical numbers and colorful travelogue sequences that celebrate Hungary’s landscape and culture.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.