Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A photographer sets off toward a mysterious forest to find Boychuk, witness and victim of the Great Fire that swept through Northern Ontario at the turn of the 20th century. But before she arrives, she learns that Boychuck has just perished. Survivors of the long-ago fire, Tom and Charlie, two elderly men who have chosen to live out their last days in the woods, are introduced to Marie Desneige, whose 60 year institutionalization has only fueled her passion for life. Meanwhile, the photographer is discovering that Boychuck had been a painter, whose life’s work had been entirely inspired by the Great Fire. The story immerses us in a historical drama while captivating us with the strange lives of these men of the forest. Three men who, in choosing freedom above all else, made a deal with death.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.