Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

On our face, the bread we knead, In our mouth, the bread we all are. The sun on the snowy night, From the cold spring to the warm bonfire. The earthworm searches for the earth-hole, The furze surrounds the white birch, In a spiraling life. The cold kept us warm, And a hundred bolts of lightning opened us, We leave sad, yet happy. In three days plus three, plus one that is all. We are three, plus three, plus three, plus three, plus three, plus three, minus one who we all are.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.