Juana is a nun with a strong character marked by a paranormal experience. A mysterious order from the Archbishopric will take her to an old church in old Madrid, built on a network of passageways of unknown origin. There, Juana will discover that in the bowels of the building there is something prior to the legends that are explained about that place. And the Evil that lives there has begun to infect the exterior.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
