'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.

The movie tells us the story of Hassan who has great passion for music. Hassan and Ani fell in love and ran away to Singapore knowing that their marriage will never be approved by Ani's parents. Hassan soon made a name for himself as a musician and later as a composer. His compositions received great reviews. Hassan was overjoyed when he found out that his wife was pregnant but it soon turned to sorrow as Ani died giving birth to a son, Sazali. Hassan turned his affection towards Sazali and soon Sazali grew up into a rich spoilt kid. Sazali grew up to become one of Singapore's most wanted men. The police was tipped off when Sazali and his gang committed burglary. Sazali was shot but managed to escape and seek shelter in his father's home. What did Hassan do?
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Eddington attempts to capture how media is intertwined with the uncomfortable present.