'Honor Roll Boys' (MiamisFF Review): A Bit of Harmless Fun
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.

The government finally announced new SOPs regarding Covid that allowed residents to travel across the country and several European countries. Instead of visiting their parents, they decided to go on a trip. Until one day, the government decided to strengthen the SOPs further because the number of cases increased again. Sam and Ann regretted their decision, and decided to return to their village regardless of any restrictions imposed by the government. Che Yah was delighted when her two children were able to return, although Abe Yie and Muluk completely disagreed with their actions. When Sam and Ann returned home, they tested positive for Covid and this caused an uproar in their village. Their village was considered a "Red Zone" because most of the cases came from there. And people began to condemn Abe Yie's family regarding this matter.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
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