Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Just outside her apartment, Ana finds Dina, a naked, mysterious and confused young woman. Ana invites Dina in and calls a couple of persons so that they can meet her. Pamela and Raymundo, human traffickers, show up to negotiate the buying of Dina, who claims that she comes from the future and that she is actually on a mission to investigate how far human evil has grown in Mexico by the year 2015. The young woman provokes an unsolvable dispute between the traffickers, who end up dead.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
It’s dark, uncomfortable, and there are things that don’t make sense.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.