
In 1968, in 1/500th of a second Eddie Adams photographed a Saigon police chief, General Nguyen Nyoc Loan, shooting a Vietcong guerilla point blank. Some say that photograph ended the Vietnam War. The photo brought Eddie fame and a Pulitzer, but Eddie was haunted by the man he had vilified. He would say "Two lives were destroyed that day, the victim's and the general's." Others would say three lives were destroyed. Eddie Adams, like most artists, was tortured by his need for perfection. Nothing he did ever satisfied him. He carved out many careers shooting covers for Life, Time, and even Penthouse. Yes somehow, he was always pulled back into documenting wars, 13 all together. Finally he hit the wall and couldn't take it anywmore. He began shooting celebrities because 'It doesn't take anything from you.' Eddie was comfortable with kings and coal miners. During his time with Parade Magazine he photographed Clint Eastwood, Louis Armstrong, Mother Theresa, and Pope John Paul II.
The movie behind the space toy from the 'Toy Story' film series is finally here.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Four more classic horror films that are entertaining even if occasionally absurd.