Guillermo del Toro's Pinocchio
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.

In 1968, in 1/500th of a second Eddie Adams photographed a Saigon police chief, General Nguyen Nyoc Loan, shooting a Vietcong guerilla point blank. Some say that photograph ended the Vietnam War. The photo brought Eddie fame and a Pulitzer, but Eddie was haunted by the man he had vilified. He would say "Two lives were destroyed that day, the victim's and the general's." Others would say three lives were destroyed. Eddie Adams, like most artists, was tortured by his need for perfection. Nothing he did ever satisfied him. He carved out many careers shooting covers for Life, Time, and even Penthouse. Yes somehow, he was always pulled back into documenting wars, 13 all together. Finally he hit the wall and couldn't take it anywmore. He began shooting celebrities because 'It doesn't take anything from you.' Eddie was comfortable with kings and coal miners. During his time with Parade Magazine he photographed Clint Eastwood, Louis Armstrong, Mother Theresa, and Pope John Paul II.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
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