"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

After the death of her father, young Irina becomes the sole support of the family, as her mother is seriously ill and her little sister is still too young. One day during a walk she meets the artist Vladimir and falls in love with him. The two begin to date. Vladimir, having fallen in love with Irina, wants to get rid of his connection with a married woman Elena. Elena's husband has been watching the lovers for a long time and the farewell date of Vladimir and Elena serves as an excuse for him to challenge his rival to a duel. During the duel Vladimir dies. Having learned about the death of her beloved, Irina dies of a heart attack. Her mother, left all alone, mourns her daughter's death bitterly.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.