Wednesday Addams
The iconic title character stars in her own horror and gothic TV series.

London fashion photographer Elise St. Lawrence reluctantly returns to her childhood estate in the Cotswolds to settle her estranged father's will. She's stunned to discover she must share the inheritance—and the family perfumery—with Matthew, her former best friend and first kiss who never forgave her for leaving without goodbye.
The iconic title character stars in her own horror and gothic TV series.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
This romance movie has strong representation of Taiwanese people.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.