Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Is the right way always forward? Is there only one way in life we follow? Do we have a choice on that way? Can we choose our co-passengers? Are we all moving with our own average speed along this way?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
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