‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Entre lobos (Among Wolves) tells the remarkable story of a poor country boy named Marcos, who at the age of 7 is handed over to his father's employer, a rich landowner, who in turn delivers him to a life of labor with a hermetic goatherd in an isolated valley. The old man, who lives in a cave, is unused to human company and at first seems not very interested in having a live-in apprentice. The boy, who was abused by his parents, is frightened and equally aloof initially. Despite this, the shepherd begins teaching Marcos how to herd the goats, as well as how to care for himself and how to survive in the wilderness by trapping and fishing.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
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