Guillermo del Toro's Pinocchio
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.

With a set of new faces -some absolute newcomers- Cazzo starts off the newest film in its Tough Guys series, »UNTER MÄNNERN« (Among Men), with a blast. Two tasty lads go missing in the Berlin sprawl. The police are in the dark, finding the boys? car their only clue. The trail leads to an eerie spook house, an old abandoned estate, where strange things happen. Dream and reality mix together in splashy sex orgies ? and not only those being fucked ask themselves: was that real? It seems that a hard sex clique rams up anyone who enters the house. Are these steamy studs real or are there sex ghosts at work? Reason enough for two curious policemen to have a closer look at the file called SEX. What they experience is pure wonder. Be there!
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.