“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.
Like most young people, Leviticus is imperfect. But I love it anyways.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.