“Supergirl” Is Like, Fine, Whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

Francis Ashby, a senior Oxford don on holiday alone in the Alps, meets holidaying American Caroline and her companion Elinor, the blossoming Irish-American girl she adopted many years before. Ashby finds he enjoys their company, particularly that of Elinor, and both the women are drawn to him. Back at Oxford he is nevertheless taken aback when they arrive unannounced. Women are not allowed in the College grounds, let alone the rooms. Indeed any liaison, however innocent, is frowned on by the upstanding Fellows.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Dora is the superhero we didn't know we needed.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.