Kicking off the Summer with 'Malibu Rescue'
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.

Ruthless drug baron Lamar is determined to drive out a rival gang headed by a tough and beautiful businesswoman, Mandy. Two lovers who work for Lamar become disillusioned with the life of crime, but when Lamar kills Jane, Nick is wild with rage and vows to eliminate Lamar and his evil henchmen. Hong Kong cut and paste edit of the 1983 Taiwanese Film "鄉下阿郎 " (The Boy from the Dark Street) with new scenes.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.