A German journalist on the run from mobsters in New York embarks on a road trip across the United States, picking up a female auto mechanic on the run, before his past catches up with him. Shot in 16mm by Egyptian-born director Degas using local crews, a mix of professional and amateur performers, and rural landscapes as a backdrop, this lesser-known No Wave feature comes from a school of New York independent filmmaking inspired by Rainer Werner Fassbinder and Wim Wenders.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
