Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Frank rents rooms in Nadine’s building to commit crimes. During the latest one, things take a turn for the worse when a guy he killed a couple of days before, disappears.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.