Ambush (1950)

In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.

'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.