Christmas Magic in A Cinderella Story: Christmas Wish
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
Ambiguous Losses
Two sisters who had been adopted internationally explore and compare their respective pasts for the first time. Their candid discussion reveals both an ambivalence toward their abandonment and the strength of their sisterly bond. By transforming their personal archives into a collage inspired by origami, Fanny Lord-Bourcier fills in the blurry areas of their shared history.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Two sisters who had been adopted internationally explore and compare their respective pasts for the first time. Their candid discussion reveals both an ambivalence toward their abandonment and the strength of their sisterly bond. By transforming their personal archives into a collage inspired by origami, Fanny Lord-Bourcier fills in the blurry areas of their shared history.
Rating:
Genre:Animation, Documentary
Written By:
In Theaters:
Box Office:
Runtime:5 minutes
Studio:ONF | NFB
Cast
Articles You May Like
“Godzilla: Minus Zero” is a Worthy Sequel
Minus Zero is better than the previous film in some ways, and inferior in other ways.
‘Midnight at the Paradise’ is a Love Letter to Film, Music, and the City of Toronto
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
'Dune' Disappoints
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Not So Quiet on the Western Front
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.
"The Naked Gun" (2025) Film Review-YES!! The comedy we actually NEEDED has arrived!
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.