
Tamunoba the goddess appears to Ibanichuka a carefree warrior and against the norm pronounces him the king of Okrika. In a cryptic warning, the goddess advises him to show true strength in the face of his greatest adversary in order to save his people from annihilation. His interpretation of her message leads to conquests, alliances and even a civil war with an influential member of his war cabinet, all these while trying to unite a people already divided by the Christian religion led by the wily Chief Ogan wielding his own supremacist agenda. When Ibanichuka eventually discovers his greatest adversary, he realizes to his shock that he had been on a wrong trajectory after all and is forced to make the decision that no true warrior should ever make.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.