Disney's ‘From Our Family to Yours’ Passes Down the Magic of the Holidays
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.

Three lesbians navigate their desires, fears, and contradictions in Paris. Nour, an intense and impatient musician, falls for a woman who is both guarded and demanding. Their budding relationship wavers under the weight of Nour's rushed expectations. Insecure Laura suggests to her two partners that they have a child to strengthen their throuple - unknowingly upending their already delicate balance. Meanwhile Gabrielle, a respected therapist, is neglected by her workaholic partner who is too busy to notice the cracks forming. Gabrielle begins to dangerously bond with one of her patients. Caught between doubts and desires, these romantic entanglements ask us : should I make the run for it, or should I commit?
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.