Ten twenties. Five girls and five boys at the height of youth, when the distance is starting to make out adult life. Pieces of life captured in short sequences in different scenarios, and not follow any narrative structure. Amanecidos are the pages of a diary or a photo album open to chance. These are memories that come to mind without warning. A story that beats as strongly as its young protagonists.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This movie will always resonate with queer people, for as long as queer people exist.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
