Daddy Shark: 45 Years of “Jaws”
As a cultural touchstone, Jaws has launched a thousand parodies, tributes, and memorable quotes.

For nearly a century, the image of the Airstream travel trailer, with sunlight gleaming off the aluminum of its sleek silver-bullet body, has evoked the romance of escape and the mystique of a world where a new adventure is waiting just over the next hill. No matter the model of Airstream — Bambi, Caravel, Flying Cloud, Tommy Bahama, Classic, Serenity — Wally Byam’s invention offers an elegant passport to a world where friendship, communion with nature, and international caravans continually weave together in unforgettable moments. Narrated by Kate Pierson of the B-52s, Eric Bricker’s film unpacks the evolution of Airstreams from simple trailers into platforms for free-spirited living.
As a cultural touchstone, Jaws has launched a thousand parodies, tributes, and memorable quotes.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.