Since the war in Gaza and the expanding occupation of the West Bank, a peaceful resolution to the conflict between Israelis and Palestinians feels more distant than ever. In this three-part series, the reporter Matthew Cassel travels along the 1949 Armistice border, or ‘Green Line’, once seen as the best hope for a resolution. He meets Palestinians and Israelis living just kilometres apart, but shaped by vastly different realities.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Friendships are tested when two girls have a crush on the popular boy at school.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
