Miss Etting plays herself, and the clever opening sequence conveys two messages: 1) that she's very much in demand, and 2) that the grind of stardom is wearing her down. We watch as Ruth gamely performs her signature song "Shine On, Harvest Moon," first in a recording studio, mid-day, then at a radio station in the evening, and finally on the Broadway stage that same night.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Shakti’ is a survival guide for women all over the world.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
