
Luizinho is a young man passionate about Flamengo, fortunate enough to have his education paid for by the club, and plays in the team's lower divisions. A pupil of Rubens, the two compete for a spot on the professional team. Until Rubens introduces his friend to the woman he's in love with, Maria Helena. The problem is that she was Luizinho's childhood sweetheart, and the encounter rekindles their passion. A conflict begins between the two players that will be decided on the field.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.