“Not My Dog,” But It Should Be
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
All We Wanted (2024)
A desperate filmmaker and his friends travel to a remote estate for a meeting with a family of potential investors to fund their film. The night takes a deadly turn, as they must band together with the family and fight for their lives against a group of masked intruders with sinister intentions.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A desperate filmmaker and his friends travel to a remote estate for a meeting with a family of potential investors to fund their film. The night takes a deadly turn, as they must band together with the family and fight for their lives against a group of masked intruders with sinister intentions.
Rating:
Genre:Horror, Thriller
Written By:Chris Dickerson
In Theaters:8/30/2024
Box Office:
Runtime:103 minutes
Studio:
Articles You May Like
STRAW 2025: A Mother’s Silence Was Louder Than a Siren
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
"Evolution Of The Black Quarterback"
An in-depth discussion about anti-Black discrimination in college and professional football.
The Case of 'Rise of the Pink Ladies' and 'A League of Their Own': Why Won't Hollywood Give Sapphic Shows Their Due?
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
“Sand Castle”: Another Unrealistic War Drama
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
Living for the Present vs. Preparing for the Afterlife in Preparation for the Next Life (2025)
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.