“I’m a newspaperman!”: Howard Hawks softened a political satire into a proto-feminist romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

All that goes before forget is an experimental short film about traumatic memories and flashbacks caused by PTSD (post-traumatic stress disorder). The film is composed of three fragmented stories that depict a young girl in postwar Norway, a Japanese schoolgirl during World War II, and an androgen person in their twenties in a contemporary domestic setting. These three individuals belong to very different places and eras, and their stories are interwoven with a voiceover—the voice might belong to one of the characters on-screen, or all, or none. Scenes are depicted with close-up images, which alludes to a certain level of significance, as if they were hinges to memories, but the overall narrative remains tantalizingly elusive. Based on personal accounts of surviving trauma, the film uses fiction as a form for speculating about those events that might define a life, while simultaneously defying our ability to narrate them.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.