“Deconstructing Karen” Demystifies White Allyship
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.

Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.