I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

A mousy librarian inherits her father's beloved but failing old movie house. In order to save the family business, she discovers her inner serial killer — and a legion of rabid gore fans — when she starts turning out a series of grisly shorts. What her fans don't realize yet is that the murders in the movies are all too real…
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.