Alice in Chains: AIC 23 (2013)

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.

This sports drama movie is centered around an Asian American boy named Chang.

One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.

The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.