Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Set against an otherworldly landscape, this experimental short traces the metamorphosis of a larva into a mosquito, unraveling a layered exploration of identity, migration, and estrangement. Through a sensorial, hybrid form that blends microscopic footage with alienesque terrains, the film follows the mosquito’s passage through unfamiliar environments as it struggles to understand its own body and purpose. Disoriented and unmoored, the insect becomes a vessel for broader existential questions, transformation and displacement. Shot on expired 16mm film along the northeastern coast of Brazil, the film evokes both decay and discovery.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
Taylor Swift details her successful music career in country and pop genres in this featured documentary film Miss Americana.