'Swan Song' is a Scattered But Sincere Story of Small-Town Redemption
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.

Few kings in English history deserve the epithet 'great' more than Alfred, King of Wessex. In an age and country blighted by Viking invasions, Alfred inflicted repeated defeats upon the Norsemen and set about administrating the Danelaw to secure the unity of England. The great king also organised his forces into a standing army and built a recognised navy. Alfred was not only a fine warrior but was also a deeply religious man, a scholar and lawmaker. Featuring extensive dramatised reconstructions and surviving period imagery, this programme provides a unique account of the life of one of England's truly great monarchs.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.