No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

Alexandra Hernandez is a child of the sea. She sings about Saint-Pierre-et-Miquelon, a small archipelago off the coast of Newfoundland, a French enclave on the American continent. The sea, the wind and the fog ooze through her lyrics, which sing of love in an omnipresent natural setting. She takes us back to the places that populated her childhood imagination, to a small archipelago where everyone knows everyone else, and where the unknown resonates in the wind that beats down on the islands.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
As a cultural touchstone, Jaws has launched a thousand parodies, tributes, and memorable quotes.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.