Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

A nightclub janitor discovers the personal effects of a magician and uses them to become a popular magician himself. Tampering with the secrets of the beyond has its price, however, as he soon learns when he is confronted by voodoo, vampirism, and an eviscerated ghost.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Wanda and Vision are suffering under the stress of parenting their twin boys.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.