AKARI 

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.