Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
a.k.a. Cassius Clay poster

a.k.a. Cassius Clay (1970)

The study of crazy brilliance and flamboyant sincerity. a.k.a. Cassius Clay presents a fascinating look at the incredible life and achievements of one of the most courageous, outspoken and charismatic figures of boxing: Muhammad Ali. Born Cassius Clay in 1942, Ali soon rose to become a renowned athlete, an articulate author and a compelling political; leader. Audacious, ambitious and totally fearless, Ali became a symbol of pride, a legend of hope and one of the most extraordinary cultural icons of the 20th century.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The study of crazy brilliance and flamboyant sincerity. a.k.a. Cassius Clay presents a fascinating look at the incredible life and achievements of one of the most courageous, outspoken and charismatic figures of boxing: Muhammad Ali. Born Cassius Clay in 1942, Ali soon rose to become a renowned athlete, an articulate author and a compelling political; leader. Audacious, ambitious and totally fearless, Ali became a symbol of pride, a legend of hope and one of the most extraordinary cultural icons of the 20th century.

Rating:
Genre:Documentary
Directed By:Jim Jacobs
Written By:
In Theaters:11/3/1970
Box Office:

Runtime:79 minutes
Studio:

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses