Ainu Mosir (2020)

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.

Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.

This Halloween movie is a remake of the 2003 movie of the same name with Black representation.

The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.