Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Ain't Misbehavin poster

Ain't Misbehavin 

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

Rating:
Genre:Documentary
Directed By:Marcel Ophüls
Written By:
In Theaters:
Box Office:

Runtime:106 minutes
Studio:The Factory, ARTE, INA, Inthemood, RTS

Articles You May Like


In Apex, Womanhood Is More Dangerous Than the Wilderness

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space. 

Jo Moses