
Michiko Asakura was married to the eldest son of the Sakuma family, an unsealed family in Shinshu, but died from her husband and returned to her parents' house in Tokyo with her five-year-old daughter Yoshiko.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.