Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

A former TV presenter is murdered. On the same day, two police officers from the Metropolitan police Special Mission Task Force, Sugishita Ukyo (Yutaka Mizutani) and Kameyama Kaoru (Yasufumi Terawaki), are guarding a female Diet member, Katayama Hinako (Yoshino Kimura). The pair identifies explosives and saves her life. From the clues left at the scene, Sugishita builds up his case and finds a connection between the murder of the TV presenter and the attempted murder of the Diet member. During a painstaking investigation, the savage murder case of a young overseas volunteer five years earlier emerges in the background, and the pair prevents indiscriminate murder at the Tokyo Big City Marathon event by suppressing the perpetrator.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.