“I’m a newspaperman!”: Howard Hawks softened a political satire into a proto-feminist romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

In the heart of the Brazilian backlands, Agreste tells the story of Etevaldo, a nomadic and reserved rural worker who carries a dark secret. When he meets Maria, a free-spirited young woman promised in marriage to an influential man from the neighborhood, the two fall deeply in love. Forced to flee due to the imminent wedding and the threats they face, they are taken in by Valda, a religious woman who sees Maria as her own daughter. While they try to find refuge, the arrival of Ribamar, the local sheriff's nephew, intensifies the tension. He is investigating an alleged theft, and his investigations begin to reveal Etevaldo's past, which fuels the hatred of the local community. Amid chaos, love and the struggle for survival challenge Etevaldo and Maria, testing secrets, betrayals, and a growing pressure from a society that does not accept their union.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
This reboot of The Wonder Years is told from the lens of a Black man.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.