There are a particular class of Brahmins called Agradani, who are to be the chosen to perform the eating rituals on behalf of the dead. Poonnyo Chakraborty, a poor man belongs to the Agradani community lives with his family in a village. Local zamindar promises him to provide lands and money if Poonnyo lie down in front of the room where Zamindar's son is going to be born. In morning Poonnyo watches that zamindar's wife again gave birth to a dead child, soon he replaces the dead son with his new born baby. The baby grown ups as zamindar's son. Only Poonnyo knows that he is the biological father of the boy. One day a circumstances comes where he is forced to perform the funeral rituals for his own son.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
