Upcoming Movies with Hispanic Representation in 2021
Now that we're officially halfway through Hispanic Heritage Month, let's look ahead at movies featuring Hispanic & Latine representation through the rest of 2021.

Kim Sung-Joon (Park Si-Hoo) worked as a pilot, but after becoming in deaf in his right ear he has worked on the ground. He becomes desperate. Kim Sung-Joon then meets Eun-Hong (Yoon Eun-Hye) on a blind date. Even though he doesn't love her, he gets married to Eun-Hong. After their marriage, Sung-Joon treats Eun-Hong with indifference. Suddenly, Eun-Hong dies. Kim Sung-Joon soon learns for the first time about her real heart and her first love. Holding Eun-Hong's urn, he seeks out her first love.
Now that we're officially halfway through Hispanic Heritage Month, let's look ahead at movies featuring Hispanic & Latine representation through the rest of 2021.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.