Dylan can't get enough of the new action-packed video game "Insectoids". So when he and his friend Sal are invited to play Insectoids "for real" in the virtual-reality Room of Consequence at Whit's End, they jump at the chance. But when the game gets too predictable, Dylan throws caution to the wind and enters the "forbidden matrix." Soon they're engaged in a life-sized, three-dimensional jungle war, fighting giant insect warriors and facing an even more dangerous foe.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
'Selena: The Series' loses sight of the story's heart: Selena herself.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
